Mapping the Past at Angel Mounds with Geographic Information Systems

By David Massey

Image of a man standing in front of artifact boxes, smiling at camera
Image of David Massey (August 2019)

Hello! I’m David Massey, and I am a PhD Candidate in the Department of Geography at Indiana University. This summer I was working in the Glenn Black Lab rehousing faunal materials from Angel Mounds as part of the “Saving America’s Treasures” (SAT) project. It was fascinating to see the range of faunal material coming from the site, from the tiniest rodent teeth to drumfish jaws and deer antlers.

My research focus is on the use of remote sensing technologies to investigate archaeological sites. Remote sensing is a broad term that refers to the non-invasive acquisition of information about a physical landscape. While most remotely sensed data comes from satellites or aircrafts, drones fly much closer to the Earth’s surface and are able to collect finer resolution data. Archaeologists are increasingly using drones to survey landscapes for this reason. I’m currently working on a project at Angel Mounds using Light Detecting and Ranging (LiDAR) topographic models derived from an aircraft and a drone. This will help us understand the labor involved in constructing the mounds and what this tells us about the degree of social complexity among the inhabitants.

We’re very fortunate that Glenn Black had the foresight to systematically excavate Angel Mounds. After excavating at Nowlin Mound in 1934-1935, Black (1936) wrote that “if the results of any excavation are to provide an unimpeachable historical record of a prehistoric work, too much stress cannot be placed upon methodical technique and exactness of detail, no matter how trivial the feature may be.” This attention to what some at the time deemed trivial details enables archaeologists to discover and examine spatial patterns in the archaeological record through a Geographic Information Systems (GIS) database today. GIS is an essential tool for archaeologists because it allows for the analysis and visualization of large amounts of spatial data.

10 by 10 grid with numbers along each side, represents subdivison X11C
Example diagram of Angel Mounds subdivision X11C (Massey 2019)

Glenn Black divided the entire site into Subdivisions, Blocks, and Depths. Each Subdivision is a 100 x 100-foot square.  Within each Subdivision is one hundred 10 x 10-foot Blocks. Each Block is labeled from 0 – 9 along the y-axis and into Left and Right from 1 – 5 on the x-axis. Each Block is additionally separated into 6 categories of depth in feet: 0.0 – 0.4, 0.4 – 0.8, 0.8 – 1.2, 1.2 – 1.6, 1.6 – 2.0, and 2.0 – 2.4.  All this information can be displayed in GIS as a shapefile. A shapefile stores information about specific geographic features such as their location, shape, and attributes.

Satellite image of Angel Mounds with red boxes drawn over the top, locating relevant subdivisions for rehousing in 2019.
Locations of subdivisions on satellite image of Angel Mounds (Massey 2019)

This past summer we rehoused faunal material from 17 different Subdivisions. These records get updated in a Filemaker database and form the basis for the GIS database. The naming conventions of fields within the GIS and Filemaker database become very important at this point, because at least one must match for the data to be imported and joined correctly.

Below is an example of one Subdivision our team worked on this summer.

Aerial image of Angel Mounds subdivision X11C, with blocks of varying levels of black to represent concentrations of faunal materials rehoused in 2019.
Visual representation of faunal items rehoused from X11C (Massey 2019)

Subdivision X-11-C contains 1,936 faunal records and 88 of 100 Blocks currently have data associated with them. The total weight of all bone within X-11-C is 573.6178 kilograms, while the average weight of bone across all X-11-C Blocks is 5.86082 kg. It’s possible to see concentrations of bone across this Subdivision. In Figure 6, darker shading indicates a higher standard deviation across this Block compared to the mean (5.86082 kg), while lighter squares indicate lower standards of deviation. Depth information, which has not been added yet, would provide more chronological insight.  Moving forward, we hope to have all excavation data in a GIS database to conduct more sophisticated spatial analyses of faunal, lithic, and ceramic material to help us better understand the landscape around Angel Mounds. 


References:

Black, Glenn A. (1936). Excavation of the Nowlin Mound: Dearborn County Site 7, 1934–1935. Indiana History Bulletin, 13(7), 197 – 342.


MORE ABOUT IMLS

The Institute of Museum and Library Services is the primary source of federal support for the nation’s libraries and museums. We advance, support, and empower America’s museums, libraries, and related organizations through grantmaking, research, and policy development. Our vision is a nation where museums and libraries work together to transform the lives of individuals and communities. To learn more, visit www.imls.gov and follow us on Facebook and Twitter.

(The views, findings, conclusions, or recommendations expressed in this blog post do not necessarily represent those of the Institute of Museum and Library Services.)

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Angel Rehousing Project, Part 4

Amanda’s 4th blog about the ongoing Angel Rehousing project

by Amanda Pavot

Time for another Angel Update!

I’m still working on inventorying the boxes of the Type Collection. At first, I worked on a box of mostly projectile points, especially small triangular points. Then I worked on an especially heavy box of groundstone, which includes items like stones they used as hammers and celts (stone axes). Now I’m working on a box of worked bone, which includes bone tools and pins. One neat thing about working in a museum like this is the variety of interesting artifacts you get to see! Holding an object that was carved into by a person hundreds of years ago can really make you feel things.

There are a lot of other projects connected to this Angel Rehousing project. One of these is the very important job of repatriating artifacts and human remains. The Native American Graves Protection and Repatriation Act (NAGPRA) is a law that, among other things, sets the procedure of returning certain Native American artifacts to their related communities. It also reflects changes in thought, specifically how archaeologists in the early 20th century think in terms of family connections to communities of Native Americans. Excavations at Angel Mounds began in the early-to-mid 20th Century, so human remains and objects associated with burials ended up in the Glenn Black’s collection.

What we call the “NAGPRA Team” has already been working on sorting out the human remains and AFOs (Associated Funerary Objects, or objects buried with the deceased) to be repatriated. There is an original list of AFOs that is used to find the artifacts in the collection that were associated with burials. Each object is pulled from the bulk collection and carefully documented; they are measured, weighed, and identified and described in more detail than what was done previously. An object noted in the original logs as simply “animal bone” will now have more pertinent information listed in the database. The Angel Rehousing project will end up playing an important role in this as well.

While AFOs have already been pulled from the bulk collection, sometimes, despite our best efforts, objects can be missed. As we sort through each individual artifact to be rehoused, we can look them up in the database where it will say if it is an AFO or not. Any found AFOs can then be separated out to be repatriated. In other words, the rehousing gives us the chance to go through every artifact to ensure no AFOs are missed.

There’s also the rehousing of the faunal artifacts, aka all the animal bones. A lot of times animal remains were buried with humans, or animal carcasses were discarded near burials. While most of the human remains have already been separated from the rest of the artifacts, it can be very difficult to identify small bone fragments, and some human remains have been found mixed up with animal remains. As we rehouse faunal artifacts, we will be going through the bones to double-check that no human remains are left behind, ensuring that, if any are found, they can be treated with the respect they deserve and be repatriated.

I’ll end this post with exciting news; rehousing starts this week! Next time, I’ll be back with more specifics about that!


In September 2018, the GBL was awarded a Save America’s Treasures grant to rehabilitate and rehouse about 2.8 million artifacts from Angel Mounds over the next 3 years. These grants are administered by the National Park Service in partnership with the Institute of Museum and Library Services.

This “Curating Angel” project will allow us to provide safe, long-term preservation of the artifacts and associated documentation from archaeological work at Angel Mounds and make these collections more accessible for research and education.

More about IMLS

The Institute of Museum and Library Services is the primary source of federal support for the nation’s libraries and museums. We advance, support, and empower America’s museums, libraries, and related organizations through grantmaking, research, and policy development. Our vision is a nation where museums and libraries work together to transform the lives of individuals and communities. To learn more, visit www.imls.gov and follow us on Facebook and Twitter.

(The views, findings, conclusions or recommendations expressed in this blog post do not necessarily represent those of the Institute of Museum and Library Services.)

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Spring 2019 Newsletter

From the desk of the Director

Click here to read a message from Director April Sievert.

From the desk of the curator

Click here to read a message from Curator Melody Pope.


conferences

Anne Lacey, Kelsey Grimm, and Bob Wicks at MAC

Kelsey Grimm, librarian for the GBL, hosted a session in April at the 2019 Midwest Archives Conference in Detroit, Michigan. She, Bob Wicks of Miami University, and Anne Lacey of Kansas City, Kansas Public Library, presented “Collaborate and Listen,” in which they described the Wyandotte Heritage Digital Archive. This project, organized by Bob Wicks and hosted by the Wyandotte Nation, will bring together digitized primary source documents from repositories across the continent.

Ph.D. student Molly Mesner presented at the Midwest Archives Conference, alongside Wylie House Museum Director Carey Beam, concerning last summer’s campus archaeology project.

Curator Melody Pope presented research at this year’s Society for American Archaeology conference in Albuquerque, New Mexico. Head over to her ‘From the Desk of the Curator‘ to read more.


Collections news

Cataloging Collections

Malachai Darling has been continuing the book cataloging and completed the Jonathan Reyman collection, a set of books donated by the former curator of anthropology at the Illinois State Museum. Those can be found on our LibraryThing catalog.

Cleaning the Lilly Map

The Lilly Map

Sheree Sievert, a volunteer, has been cleaning the Eli Lilly map. It should be completed very soon, and will be on display in the Mather’s Museums’s fall exhibit, “800 Seasons.”

Wylie House Excavation

Follow our work at the Wylie House on our blog!

Save America’s Treasures Grant

In September 2018, the GBL was awarded a Save America’s Treasures grant to rehabilitate and rehouse about 2.8 million artifacts from Angel Mounds over the next 3 years. These grants are administered by the National Park Service in partnership with the Institute of Museum and Library Services. The “Curating Angel” project will allow us to provide safe, long-term preservation of the artifacts and associated documentation from archaeological work at Angel Mounds and make these collections more accessible for research and education.

Amanda Pavot in the Angel Room

As the project gets underway, collections assistant Amanda Pavot is posting weekly updates on our blog. Click here to follow along!

More about IMLS: The Institute of Museum and Library Services is the primary source of federal support for the nation’s libraries and museums. We advance, support, and empower America’s museums, libraries, and related organizations through grantmaking, research, and policy development. Our vision is a nation where museums and libraries work together to transform the lives of individuals and communities. Follow IMLS on Facebook and Twitter!


Outreach news

Stephanie Holman, children’s librarian at the Monroe County Public Library, wrote and performed a story of Angel Mounds with support from the Indiana Historical Society and Storytelling Arts of Indiana. She debuted “Baskets of Dirt: the building, excavation, and interpretation of Angel Mounds” in early March at the History Center in Indianapolis. Look for more performances around the state in the coming year!

Part of the GBL’s “Postcards from the Past” activity

Lotus Blossoms was another absolutely treat this year! The GBL hosted a table with the activity “Postcards from the Past,” where students could identify artifacts found in the state of Indiana and try writing a postcard on the back. Thanks to everyone who came out to see us at Fairfield Elementary!

Hannah Ballard and Amanda Pavot at the Powwow

The GBL had a table at Indiana University’s 8th Annual Traditional Powwow on April 6th.


Exhibit News

Out With the Old: Hats of Archaeology”

Produced in conjunction with the Mathers Museum of World Cultures 2018 exhibit “Heads and Tales,” our exhibit “Hats of Archaeology” takes a look at the various head fashions used in Indiana archaeology throughout the last century. The hats may not have been chosen explicitly to make a statement, but by looking at these photographs from our collection, we can get a sense of how people thought about clothing throughout the last century. 

The exhibit closed in Spring 2019.

IHS Partnership: You Are There 1939

Throughout the past spring and fall, researchers from the Indiana Historical Society have been extensively using the archives for their exhibit You Are There 1939: Exploring Angel Mounds. Danny Gonzales and Dan Shockley visited the facility and were in constant communication with the GBL staff while preparing the exhibit. Uniquely, the “You Are There…” exhibits contain a section allowing visitors to simulate stepping back into the past by talking and interacting with actors; in this case you can talk to Glenn and Ida Black, William Rude, and other WPA workers at Angel Mounds. GBL staff members April Sievert, Melody Pope, and Kelsey Grimm spent a day teaching the “YAT” actors about Angel Mounds and the people of the WPA project. “You Are There 1939” discusses the history of the Angel Mounds Site from Mississippian occupation to today. The exhibit will be on display until August 2020 in Indianapolis at the Eugene and Marilyn Glick Indiana History Center.

The new “Images from the WPA-era: Angel Mounds in 1939” exhibit in the GBL lobby

In With the New: “Images from the WPA-era: Angel Mounds in 1939”

In partnership with the Indiana Historical Society, the Glenn A. Black Laboratory of Archaeology provided images, artifacts, and other primary sources to the development of the IHS exhibit You Are There 1939. An image exhibit was developed in the lobby of the GBL to showcase more of the historic images from 1939 Angel Mounds. The photos highlight some of the earliest, formalized archaeology conducted in the state of Indiana.

The exhibit opened in March 2019.


volunteer and student appreciation

           Collections: Hannah Ballard, Preet Gill, and Amanda Pavot

           Library: Malachai Darling, Sheree Sievert, and Ethan Shepherd

           Programming: Hannah Rea

Thank you to all who gave their time this semester!


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From the Desk of the Curator

From the desk of the curator

April 25, 2019

This winter and spring saw a flurry of activity on the lower level of the lab, including several upgrades to accommodate the work we will be doing to rehouse the Angel Mounds collections. With support from the Provost’s Office and the Office of the Vice President for Research, new electrical circuits were installed and a new air scrubber and additional dehumidifiers were purchased.  Rehousing the Angel Mounds Collection and moving the collections to ALF3 will be the focus of much of our work over the next three years.  The curation team has been doing extensive background research to understand how the collection was organized, assembling documents to aid in rehousing, building out databases, purchasing supplies, and conducting pilot rehousing test runs to develop work flows.  Collections assistant and Underwater Archaeology student Amanda Pavot has been writing blog posts on the pre-project work for a museum practicum project. You can find Amanda’s posts at The Dirt, the GBL’s blog. Blogs on the Rehousing Angel Mounds Project will continue over the duration of the project, so be sure to follow the project on our website and social media. Over the winter, the curation staff also processed three loans to IUPUI, two in partnership with Hoosier National Forest.  Researchers and students affiliated with IUPUI will work on collections to complete reports for the 2013 Angel Mounds field school, a pioneer homestead on HNF land, and will complete work on parts of the Rock House Hollow collection for a HNF NAGPRA request.

The GBL collections staff participated in several educational events and outreach activities. Professor Susan Alt’s Midwest Archaeology students were able to work with four collections over the course of the semester for hands-on-learning.  We also provided artifacts, images and consulting for the Indiana Historical Society exhibit, You Are There, 1939 Excavating Angel Mounds exhibit that opened in March 2019. Various staff members participated in the 2019 IU Powwow, Lotus Blossoms, and School of Informatics, Computing and Engineering Internship Fair; and conducted tours of our facility for Anthropology, SPEA, and Underwater Archaeology program classes.

Members of GBL staff with visiting educators Scott Bauserman and Rick Doss

Scott Bauserman, with the Westlane Middle School in Indianapolis, brought down a large artifact collection owned by the Metropolitan School District of Washington Township.  Our staff provided assistance to rebox the collections for its safe transport back to Indianapolis. 

I used the Erminie Wheeler-Voegelin Archives personal papers of Glenn Black and Eli Lilly to research the early archaeology of Glenn Black and Eli Lilly at Angel Mounds for a paper presented at the 84th Annual Meeting of the Society for American Archaeology.  You can access information about the symposia presentations here.

Melody Pope, Curator


The Angel Rehousing project is made possible in part by the support of
the Institute of Museum and Library Services. In September 2018, the GBL received a Save America’s Treasures grant to rehabilitate and rehouse about 2.8 million artifacts from Angel Mounds over the next 3 years. These grants are administered by the National Park Service in partnership with IMLS.

MORE ABOUT IMLS

The Institute of Museum and Library Services is the primary source of federal support for the nation’s libraries and museums. We advance, support, and empower America’s museums, libraries, and related organizations through grantmaking, research, and policy development. Our vision is a nation where museums and libraries work together to transform the lives of individuals and communities. To learn more, visit www.imls.gov and follow us on Facebook and Twitter.

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From the Desk of the Director

From the desk of the director

April 25, 2019

Panorama of display area in the new Shawnee Tribe Cultural Center
Jayne-Leigh Thomas

Early 2019 brought a trip to Miami, Oklahoma, with Dr. Jayne-Leigh Thomas, Director of IU’s Office of the Native American Graves Protection and Repatriation Act (NAGPRA). We attended the Miami Winter Gathering and enjoyed the hospitality and fabulous food that the Miami provide, heard their winter stories, and got to do some stomp dance.

Ben Barnes and Ft. Ancient pottery

We also visited the sparkling-new Shawnee Tribe Cultural Center, and were greeted and shown around by Ben Barnes, Second Chief. The current exhibits feature displays of pottery from the Ohio Valley and chronicle the Shawnee’s journey to recapture ceramic art, based on archaeological prototypes. The have a slick interactive display that allows the visitor to look at different sherds under a microscope, and display the image of clay paste and temper on a large screen for comparing different pottery construction techniques. I was covetous.

Spring 2019 also saw additions to the community of scholars working on Angel Mounds projects. The office of the Vice President for Research has commenced a new project to add capacity for researching, preserving, interpreting, and promoting Angel Mounds deposits and collections. The project, or Angel Mounds Initiative (AMI), allies and aligns with work done through GBL, and through IU’s Office of NAGPRA.

Ed Herrmann

Dr. Ed Herrmann, of the Department of Earth and Atmospheric Sciences, directs these special projects. He has several years of experience working at Angel Mounds and other Midwestern sites, with expertise in geoarchaeology, remote sensing, and environmental reconstruction in Indiana and far abroad.

Christina Friberg

We also welcome Dr. Christina Friberg, who has joined the AMI as a post-doctoral scholar, having finished her doctoral work on Mississippian lifeways in the greater Cahokia region at University of California-Santa Barbara. Drs. Ed and Christina are working to aggregate all the data generated for Angel Mounds through the decades (a monumental task), build maps using GIS, coordinate the completion of technical reports, and assist where possible with curation efforts.

This all has made the GBL a very exciting and happening place, with repatriation, curation, and dissemination work all going on simultaneously, with Angel Mounds at the center.

April Sievert, Director

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Newspaper Coverage of the Angel Mounds Purchase, 1938-39

by Hannah Rea

In addition to working with social media this semester, I’ve undertaken a project using archival resources here at the Lab. I’m working with newspaper articles from the 1938-39 purchase of the Angel Mounds site near Evansville, which I think is a good intersection of my two areas of study—journalism and history. Being as I am a newspaper nerd, it’s also just a lot of fun.

We don’t know much about the collection of articles I’m using, other than they are part of the Glenn Black papers. That being said, we can’t be entirely sure it was Glenn himself who collected them. But I do thing these articles were collected to serve a purpose, while other articles were excluded.

So far I’ve found some interesting things, including examples of how journalism has evolved in the past 80 years and the editorial nature of many of the articles. There are a lot of what I would call ‘Call to Action’ phrases which indicate the author of the article was more than just informing on a situation, but pushing for action to be taken. This would fall under what some call ‘activist journalism’ today, but the lines between editorial (that is, more opinion-driven) content and not was much more blurred. Now, as a general rule, Opinion columns are labeled as such.

One feature of newspaper coverage at this time in Evansville was the work of Karl Kae Knecht, affectionately referred to by readers as ‘K.K.K.’ He produced editorial cartoons for the Evansville Courier from 1906 to 1960, and was an almost-constant presence in Evansville homes. Knecht often took on activist themes in his work, at times calling for change on a local, national, and global level. His interests ranged from maritime safety after the 1912 Titanic disaster, to keeping morale up during the Second World War, to —for the purposes of my research— the purchase of Angel Mounds.

Newspaper clipping from GBL collections (2019)

One of the most distinctive features of a K.K.K. cartoon is Kay the elephant, who shows up in nearly every one of his pieces and quickly became a recognizable signature. She’s at the bottom left of this cartoon —with her feathered headdress, she’s clearly meant as a caricature of a former Native resident of the Mounds site.

This brings up another feature of K.K.K.’s cartoons and of the coverage of the time: It’s just a few years after Howard Carter’s widely-publicized and global-attention-grabbing excavation of King Tut’s tomb, and archaeology in the 1930s is framed as ‘exotic’ and exciting. The focus of the public was on the artifacts and their potential value (usually monetary), not necessarily on the people to whom they belonged. The articles and this cartoon especially panders to that romanticized view of the study of the past.

When working with newspaper articles, you have to put them in the context in which they were written. They were produced for public consumption, to a public with little or no regard for the memory of the people who once lived and walked where they now stand. There was even less of an understanding that descendant groups were not only present around the United States, but actively being harmed by this method of undermining their existence and the memory of their ancestors.

This is not to say the coverage reflects the views of contemporary archaeologists and historians themselves; that’s a different research project. My focus is on that information meant for public consumption. Arguments can and have been made that the work of writers and artists like K.K.K. is a product of its time, a reflection of norms in how a group of people may be portrayed while at the same time their individual voices were stifled or ignored.

Everything from word choice to the amount of space dedicated to a column can tell us about the perceived importance of a topic. Reading these articles give a glimpse into the information being shared. While it can at times be offensive and shocking to our modern eyes, it shines a light on an important truth in our collective past.


For further information on Karl Kae Knecht, see:

MacLeod, James Lachlan. The Cartoons of Evansville’s Karl Kae Knecht: Half a Century of Artistic Activism (Charleston, SC: The History Press, 2017).

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Fall 2018: Work with Wylie House Collections

by Eric Carlucci

The second half of the Wylie House project in the Fall semester of 2018 was focused on analysis of the ceramic materials. Along with students from an Archaeological Lab Methods course occurring at the same time, ceramics would be analyzed and discussed. To prepare, I was tasked with organizing ceramics into like categories (such as unglazed earthenware, porcelain, and many more), then labeling each piece with the Glenn Black account number, category number, and subcategory number. In order to do this, we applied a thin layer of a quick-drying agent called B72 to a part of the artifact, and then would write over this once it had dried with the lab’s account number, the category number, and subcategory number on each sherd.

The account number reflected the number which will be used to file all Wylie House June 2018 artifacts; the category number reflects the artifact type within the field specimen (or level) bag; and the subcategory number reflects the more specific type of artifacts, such as porcelain or unglazed earthenware. This was a long, drawn-out task of labeling hundreds of sherds, and took place over a number of weeks. At this same time, I was preparing for my qualifying exams to pass through into Ph.D. candidacy. Taking some weeks off to focus on that made the task more urgent to complete in a very short period of time. Thankfully, the hard work paid off, and the ceramic sherds were all completed for the students in time.

Once the students were in their groups, they each focused on a different category. I helped the students where I could, discussing the ceramics or clarifying the object categorization. The students looked through both the sherds and related books and articles to help formulate a good overview of the types of ceramics present at the excavation and the site. They were to create a final project presentation based on their research to present during finals week. At the same time the students were performing their research, I began the process of labeling the next major material category: glass. This aspect of the project continued into the Spring semester, as there was far more glass than even ceramics! The labeling and categorizing of the glass was a similar process as the ceramics. Returning to the student analysis, the end of the semester went well, and the projects proved to be well thought out.

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Artifact Identification at the Wylie House

by Lauren Schumacher

My name is Lauren Schumacher and I’m a sophomore studying history and archaeology. I participated in the Wylie House field school in summer 2018, and am now working with the Wylie House and the Glenn Black Lab to help process some Wylie collections and develop a mapping system to log artifacts found on the property in the future.

Garden volunteers have been finding artifacts on the property long before the field school excavations took place. Although the most artifacts were recovered during the construction of the Education Center in 2009, bottles, ceramics, buttons, and bones are often found in and around the garden beds. Since these are isolated artifacts found outside of an official archaeological dig, part of my job has been to create a user-friendly digital map and artifact form to allow people to pinpoint where they found an artifact and describe what it is. This is a way to ensure we have information about the artifact from the time it was found and to make future artifact processing more organized. As artifacts begin to be logged, it will be interesting to see the distribution of artifacts on the map and if there are any concentrations of certain artifact types in a particular area.

In addition to the digital map, I’ve been making an artifact identification guide and an animal bone identification guide for the Wylie House. This process has consisted of researching and compiling information about the major categories of artifacts found at the Wylie House: ceramics, bottles, nails, flat glass, buttons, marbles, and bricks. Each of these categories are broken down into more specific types, such as material, decoration, and use. The hope is that this guide will help students and volunteers better identify and describe artifacts. For example, using the guide, one would be able to identify a ceramic fragment as “salt glazed stoneware” instead of just “ceramic.” Similarly, the bone identification guide will help with the identification of animal bones and butcher marks. In this guide, I looked at the skeletal structure of common types of animals raised and consumed on a 19th century frontier farm: horses, pigs, cows, sheep, and deer. This guide proved harder to research, as nearly every search for specific bones or marks just turned up articles on grilling or pictures of modern butchering. However, I also found this research very interesting as I had never studied bones or butchering techniques before.

As the semester goes on, I look forward to helping the Wylie House as they process more artifacts in their collection and prepare for future excavations!

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Processing Artifacts from the Wylie House

by Lauren Schumacher

I’ve spent most of the year getting to know the various Wylie House collections. After being introduced to the Wylie House through the summer field school, I’ve started to process the artifacts rescued during the construction of the education center at Wylie, helped process the artifacts collected during the field school, and completed a Wylie ceramic analysis project for a class in laboratory methods in archaeology.

I started processing the collection at Wylie last semester by roughly sorting the artifacts into their types and cleaning them. Once they were sorted into the broad categories of glass, metal, and ceramic, I started to further sort the ceramics into categories based on the type of ceramic, decorations, and type of vessel sherd (rim, body, or base). Once the sorting is finished, we will be able to start labeling the artifacts and entering them into the database. The system for labeling will be a little less complicated than the one we have been using for the summer excavation collection, since these artifacts weren’t formally excavated. Working with the ceramics has been fun, but I’m looking forward to finishing the sorting and start the labeling process as it will be a nice change of pace.

From this work at Wylie, labeling the summer excavation artifacts has been interesting since I’ve been able to recognize many of the pieces through my other work with Wylie artifacts. In particular, there is a set of glass tumblers that I first saw in Sherry’s collection that continue to pop up in the glass fragments collected during the summer excavation. Finding these surprising little connections has definitely made the labeling of hundreds of flat glass fragments more exciting. With that being said, I am looking forward to being done with the glass and starting to label the metal artifacts. After seeing a collection all the way through from excavation to labeling, I’m excited to get back to work on the Wylie collection and see it completely processed after being neglected for so many years.

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The GBL’s Historic Image Collection: August 2015 – January 2019

by Bailey Foust

I began at the GBL as a work-study student starting my senior year at IU, in fall of 2015. I worked with Alex Elliott on the Type Collection Drawers for my first few weeks before moving onto the Historic Image Collection. At the time my only knowledge of Angel Mounds was that it was near Evansville and that my paternal grandparents took my brother on a trip there without me. Now the majority of what I know comes from working with images of the site. Before I began working with the Historic Image Collection, the media room had the aroma of an open jar of pickles, called vinegar syndrome, it was an evident clue that the lab’s film was deteriorating.

Alex Elliott and Bailey Foust in front of Mound A at Angel Mounds State Historic Site, during the August 2017 solar eclipse. Photo by Corwin A. Deckard.
September 2015 to August 2016

I started with the slide collection, which was housed between two slide cabinets, one equipped with a light box.  Currently there are 7,117 slides in the inventory. I would remove slides by row, record their information, and assign a catalog number. I then digitized the slides, (the scanner model I used was Epson Perfection v700 photo). Eventually the slides were removed from their hangers and placed in archival boxes (there are 35 in total). The slide collection as a whole contains a fair amount of duplication of negatives and Polaroids; it also contains more candid images from digs than the negative collection, which often focus on documenting excavation features.

August 2016 – February 2018

I moved on to the 7,200 negatives; they were originally housed in two filing cabinets with old envelopes. Opening these drawers would release a powerful odor of vinegar syndrome.

The negative inventory was started by Colin Gliniecki, while I worked on the slides, but was completed by me as Colin moved onto other projects.  I started the negative digitization by scanning the 4” x 5” negatives that are in good condition, this is a total of 2,977 negatives. I rehoused the negatives to new envelopes as I scanned them, rewriting the caption as best I could. Since scanning has downtime, I continued writing captions for new envelopes. Eventually I started placing the rehoused negatives in archival boxes. As more negatives went in archival boxes, they were removed from the filing cabinet and placed on shelving in the closet. The vinegar syndrome smell lessened once the negatives had new envelopes and were in archival boxes.

After scanning the 4” x 5”s, Jennifer St. Germain purchased an anti-newton ring glass dry mounting so the approximately 4,500 negatives of other sizes could be scanned. To uses this I had to tape the corners of each negative to the glass. This was more time consuming, as I couldn’t prep the next negative until scanning was complete.

The dry mounting station with anti-newton ring glass used for negative digitization.

A note on condition: Many of the GBL’s negatives are in fine condition but others have experienced deterioration called channeling.

N1668 “A.M. Office Bldgs 10-3-39”. This digitized image of the WPA office buildings shows negative deterioration.

It starts as warping and bubbles in the negative but eventually leads to the emulsion and plastic support separating.

Image Collections Online

Once a sizable number of images had been digitized, Jen worked with IU Digital Libraries to create the GBL’s Image Collections Online Site (ICO). ICO is photo cataloging application that allows us to store and share the GBL’s images.

Directory

One of my roadblocks was that I didn’t have an overall sense of people’s names. They often appear as shorthand, a nickname, or just the surname; so it wasn’t always apparent to me that a name was a name. For example “F.M.S.” is Frank Meryl Setzler and “West” is La Mont West. In order to have accurate and consistent information, I started a list of people’s names. This led me to create a directory of persons for Angel Mounds Field Schools 1945-1962. The directory puts together some basic information, a portrait, full name, institution and class during attendance. To help with this task, I looked though the Angel Mounds Associated documents and field school applications.

Prints

I suspect that the core print collection was started by Glenn Black, as some of the captions are followed by his initials. The prints are mounted on cards typed with captions, unfortunately the cards are warped. These prints started out in wooden drawers, but were moved to archival boxes.  These boxes have been organized by unit (in the case of Angel Mounds), county (if from Indiana), and state. The number on the card, should in theory, accurately link to the negative (which is now, hopefully, digitized).

With summer ending and the humidity lowering, it was finally time to package the slide and negative boxes for the freezer. In total I packaged 112 boxes. After creating and applying labels to the boxes, they were wrapped in vapor proof barrier.

Tape was applied over all the seams, and an additional label was placed on the barrier exterior. It then went into a bag with a humidity indicator that was sealed and taped up. The difference between packaging slides and negatives, is slides were bagged in groups of 4 and negatives as singles.

Once the freezer was full, Jen and I plugged it in and turned on, it made a happy beeping- I thought it sounded celebratory.

Freezer partially filled with slide and negative boxes.
Here are a few of my favorite images:
Being as smitten as I am by Frances Martin, I have to include a photo of her. This image was digitized from a print (with no negative), and shows William Rude and Frances Martin labeling artifacts in the lab building at Angel Mounds.
This slide (S1698) shows Lilly Marchant, Glenn Black, and Bettye Broyle during the 1954 Angel Mounds field school. I’ve always loved the way this kodachrome slide captures the fire.
This slide (S1573) shows Ida Black and William L. Rude in a canoe at Angel Mounds during the spring flood of 1945. Per the caption, it was taken from the eastern edge of the village with the camera oriented northeast toward the administration area.
A slide (S2046) capturing an “evening storm” during 1959 over lab building at Angel Mounds.
One of my unexpected finds was a negative (N9282) showing Glenn’s paternal Grandparents. The Caption reads: “Personal Glenn A. Black My father’s father and mother. Originals owned by Bert White of Brownsburg, Ind.”
This negative (N2772) shows John Longbons, Elizabeth Brockschlager, and Ann Leist “figuring contours” for S11D during 1951 Angel Mounds field school.
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